A practical UK comparison for gym and fitness-studio owners weighing Epidemic Sound In-store against Sonosfera and other business music routes: what each covers, and the licensing question that actually decides it.

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Sonosfera was started by a salon operator who got caught out by PPL/PRS licensing letters and built the music platform they wished existed. The team behind this blog has spent years inside hair and beauty businesses, clinics, and hospitality venues — booking the bills, dealing with the licensing letters, and learning the hard way that most Spotify playlists don't work for a professional environment.
By Sonosfera Team
If you run a gym or fitness studio in the UK and you have been eyeing Epidemic Sound, the first question is not "is Epidemic legal?" It is which Epidemic product are you looking at? The creator and business-content plans are for soundtracking videos, ads, podcasts and social content. Epidemic Sound also has a separate In-store Music route for physical spaces. Mixing those two up is where gym owners get into trouble.
This article is for UK gym, studio and boutique-fitness owners deciding what to actually play in the room. It compares how the main in-store music services position themselves, how pricing is verified where prices are public, and — most importantly — how each one handles UK music licensing. Where a fact is not published by the provider, this guide says so rather than guessing.
For a UK gym, Epidemic Sound can be relevant only if you are evaluating its In-store Music route, not a creator/content subscription. A standard creator plan is for content you publish; in-venue playback needs either a dedicated in-store music service, TheMusicLicence-backed commercial music route, or a direct/royalty-free catalogue that is cleared for public business playback.
If you want an original-catalogue route built for the room itself, start with background music for gyms. If you want named artist tracks, radio, DJs, or commercial playlists, treat TheMusicLicence and a business-grade playback source as the first decision.
The single most expensive mistake in this category is assuming that paying for a music service means you are covered to play that music in a public space. They are two different things.
In the UK this is normally handled through TheMusicLicence, a single licence administered by PPL PRS on behalf of two collecting societies: PPL (which represents record companies and performers for the recording) and PRS for Music (which represents songwriters, composers and publishers). If you play commercial chart music in your gym, you almost certainly need it.
There are two ways around paying that licence on top of your music subscription:
An Epidemic Sound creator/content subscription does not solve the in-store problem, because it is oriented around content you produce, not continuous background play in a venue. Epidemic Sound's separate In-store Music route is the venue product to compare against the dedicated in-store services below.
The table below pulls together what each provider publishes about pricing route and licensing position. Confirm current prices and licence wording on the provider's own page before you rely on it — these services change tiers often.
| Service | Pricing route to verify | How it positions licensing | What to double-check |
|---|---|---|---|
| Epidemic Sound In-store | Contact/partner-led in-store route | Epidemic says its In-store Music is license-inclusive and includes public performance rights for physical spaces | Do not confuse it with a creator/content subscription; confirm the UK partner, venue terms, hardware/software route, and written certificate |
| Background Sounds | Published monthly/annual pricing; verify current rate on the provider page | Royalty-free, positioned as non-PRS/PPL; certificate on request | No public detail on bespoke/branded music or advanced scheduling |
| RadioSparx UK | Published monthly options; verify current rate on the provider page | Royalty-free background music for UK businesses | Confirm the no-PRS/PPL claim against its own current terms |
| Tribe of Noise for Business | Published business plan; verify current rate on the provider page | Legal alternative to consumer streaming; lower-cost than PRS/PPL for chart music | Check cancellation terms and exactly what the licence covers |
| Auracle Sound | App subscription; verify current rate on the provider page | Licensed background music for business | Confirm how PRS/PPL is handled before assuming it's bundled |
| Soundtrack | Country-specific business plan; verify current UK plan | UK page states public performance rights are not included — get TheMusicLicence where applicable | Useful as a contrast: streaming a big catalogue can still leave you owing the licence |
Two providers are worth a mention even though they did not give a clean price-and-fit row. Startle is quote/demo-led and is upfront that UK businesses usually still need PPL/PRS. Imagesound explains the PRS/PPL roles clearly and offers original-artist music, royalty-free music and licensing help, but does not publish pricing — so get a quote rather than trusting a third-hand figure.
Sonosfera supplies its own original catalogue, written and produced for background play in places like gyms, studios and salons. Because the catalogue is original and the rights are cleared at source, you are not paying a separate public-performance licence to play that music in your venue. Country-aware pricing is shown live on the page rather than quoted here, because it changes: see country-aware pricing, and you can start a free trial to hear whether it suits your floor.
Be clear about the limits, because no honest service covers everything:
For the wider UK picture, the UK comparison page and the best business music services guide line up the options side by side.
Use the right Epidemic route. A creator/content subscription is for music in content you publish, such as videos, reels and ads. Epidemic Sound's separate In-store Music route is the product it positions for physical spaces, including gyms. Before using it, confirm the UK partner setup, venue terms and written licence evidence.
If you play commercial recorded music where members or staff can hear it, you very likely do. TheMusicLicence (covering PPL and PRS) is the standard UK route. The main exception is using a service whose catalogue is already fully cleared or positioned as PRS/PPL-exempt — verify that claim on the provider's own page. Check the current rate and your specific situation at PPL PRS.
The cheapest route is the lowest total cost that still matches your exact playback source. A low monthly app price is not cheap if you still need TheMusicLicence, hardware, a partner contract, or a second service. Compare current provider pricing, the official PPL PRS quote for your premises, and the certificate wording before switching.
Not automatically. "Royalty-free" describes how the provider has cleared its own catalogue; it does not override UK public-performance rules for other music. If you only ever play that provider's cleared catalogue, you can usually skip the separate licence — but the moment you add chart music, radio or playlists, the standard obligations return.
If you want a simpler route built around an original, cleared catalogue for your UK studio, review country-aware pricing, then compare the alternatives first on /compare/uk.